Friday, August 5th, 2005
A Convo On Hip-Hop Writing
If you didn’t know already, Tamara Palmer–whose Country-Fried Soul: Adventures in Dirty South Hip-Hop is out now!–and I have been blogging on SOHH.com’s Connect Politic… about hip-hop writing. Check it out and let us know how much we suck. Meanwhile if you have a hip-hop book jones, peep the reading list on the right!
posted by Jeff Chang @ 2:39 pm | 2 Comments
Friday, August 5th, 2005
Boogie Down
After a long unexplained absence, your boy is back up at Sticker Shock today–with a long-lost Bronx favorite. Keep tickin’ and tockin’ for a limited time!
posted by Jeff Chang @ 7:30 am | 0 Comments
Thursday, August 4th, 2005
Mos Def Calls Out Suge Knight In LA
Finally getting some light on SOHH and The Situation UK is the fact that Mos Def climaxed his concert at the Hollywood Bowl on July 24th by shouting: “Tell them who killed my man (Biggie), Suge. Tell them who killed my man, Suge!”
I was at the concert.
The crowd was shocked at first, but then responded with loud applause. Mos said, “Gotta tell the truth. We fear nothing.”
The concert itself–sandwiched in between performances by the excellent Senegalese rap trio Daara J and an high-energy show by Femi Kuti–was billed as “Biggie, the big band experience”. Mos came out on a bed with neon signs reading “Freedom” and “Oysters” next to it. The concept was to have a jazz band, featuring Will Calhoun, play covers of songs that would trace the story of Biggie’s life.
It was uneven, at best. The band opened with a fascinating cover of “Stakes Is High” and moved through long versions of stuff like “It’s Just Begun”, “Miles Runs The Voodoo Down”, and ended with “Umi Says”. It was loose and unstructured, with Mos dictating changes onstage as the band played, and apparently not a lot of thought given to pacing. When the clock came up on an hour, Mos admitted they had prepared a lot more but they had run out of time.
That’s when he got into the line about Suge.
The song that Mos went into after that had him solo at the piano banging out a two-chord drone in which he sliced together lyrics from “Jam Master Jay” with comments on Biggie’s death. He ended by flipping the classic “Run DMC and Jam Master Jay” into a scream: “Who killed Pac, Biggie and Jay?”
Brave shit. But probably not ready to be recorded yet…
posted by Jeff Chang @ 10:19 am | 6 Comments
Wednesday, August 3rd, 2005
Jim Farber on The Source
Supply your own caption.
From today’s New York Daily News:
Observers feel the magazine’s spiraling problems mirror a central struggle within hip hop itself. “The roots of the music are very ‘street’,” says Minya Oh, alias Miss Info, Hot 97’s hip-hop gossip. “But that has to get along with its newer role, which is very big business.”
Many industry insiders feel the biggest blow to the magazine’s credibility stems from its two-year war against Eminem, whom the magazine has cast as a racist, out to whitewash an African-American art form. (The Source’s own founder, David Mays, is white.)
“By battling Eminem, they end up battling the whole family he’s down with – 50 Cent, Dr. Dre, Lloyd Banks – the biggest people in the game,” explains Nelson George, a long-time observer of popular music and the author of “Hip-Hop America.” “How can you sustain and not cover those guys?”
“Regular readers really don’t care about the whole back story of the magazine’s problems,” says Oh. “But they do want to know what Eminem is doing on his vacation or what 50 Cent has to say about Vivica Fox.”
To get that information, readers are increasingly flipping over to The Source’s rival, XXL. That upstart mag began eight years ago (The Source kicked off back in 1988). In 2003, the younger mag’s circulation was little more than half that of its role model. Since then, its circulation has increased by more than 10% to an audited figure of 273,257, the overwhelming majority of them moving on newsstands.
“XXL is now the biggest to us,” says a source at Def Jam Records.
posted by Jeff Chang @ 6:51 am | 3 Comments
Monday, August 1st, 2005
Judith Miller: No Journalistic Martyr
From Elizabeth Mendez Berry (now a hard-boiled reporter for Time Magazine!): Arianna debunks Judith Miller’s martyrdom–Miller is the source.
posted by Jeff Chang @ 9:23 am | 3 Comments
Monday, August 1st, 2005
I Just Want It To Be Over
posted by Jeff Chang @ 8:33 am | 2 Comments
Previous Posts
- Who We Be + N+1=Summer Reading For You
- “I Gotta Be Able To Counterattack” : Los Angeles Rap and The Riots
- Me in LARB + Who We Be Update
- In Defense Of Libraries
- The Latest On DJ Kool Herc
- Support DJ Kool Herc
- A History Of Hate: Political Violence In Arizona
- Culture Before Politics :: Why Progressives Need Cultural Strategy
- It’s Bigger Than Politics :: My Thoughts On The 2010 Elections
- New In The Reader: WHO WE BE PREVIEW + Uncle Jamm’s Army
Feed Me!
Revolutions
- DJ Nu-Mark :: Take Me With You
DJ Nu-Mark remixes the diaspora…party ensues! - El General + Various Artists :: Mish B3eed : Khalas Mixtape V. 1
The crew at Enough Gaddafi bring the most important mixtape of 2011–the street songs that launched the Tunisian & Egyptian Revolutions… - J. Period + Black Thought + John Legend :: Wake Up! Radio mixtape
Remixing the classic LP w/towering contributions from Rakim, Q-Tip + Mayda Del Valle - Lyrics Born :: As U Were
Bright production + winning rhymes in LB’s most accessible set ever - Model Minority :: The Model Minority Report
The SoCal Asian American rap scene that produced FM keeps surprising… - Mogwai :: Hardcore Won't Die But You Will
Dare we call it majestic? - Taura Love Presents :: Picki People Volume One
From LA via Paris with T-Love, the global post-Dilla generation goes for theirs…
Word
- Cormac McCarthy :: Blood Meridian
Read this now before Hollywood f*#ks it up. - Dave Tompkins :: How To Wreck A Nice Beach
Book of the decade, nuff said. - Joe Flood :: The Fires
The definitive account of why the Bronx burned - Mark Fischer :: Capitalist Realism
K-Punk’s philosophical manifesto reads like his blog, snappy and compelling. Just replace pop music with post-post-Marxism. Pair with Josh Clover’s 1989 for the full hundred. - Nell Irvin Painter :: The History of White People
Well worth a Glenn Beck rant…and everyone’s scholarly attention - Robin D.G. Kelley :: Thelonious Monk : The Life And Times Of An American Original
Monk as he was meant to be written - Tim Wise :: Colorblind
Wise’s call for a color-conscious agenda in an era of “post-racial” politics is timely - Victor Lavalle :: Big Machine
Victor Lavalle does it again!
Fiyahlinks
- ++ Total Chaos
The acclaimed anthology on the hip-hop arts movement - ARC
- Asian Law Caucus | Arc of 72
- AWOL Inc Savannah
- B+ | Coleman
- Boggs Center
- Center For Media Justice
- Center For Third World Organzing
- Chinese For Affirmative Action
- Color of Change
- ColorLines
- Dan Charnas
- Danyel Smith
- Dave Zirin
- Davey D
- Disgrasian
- DJ Shadow
- Elizabeth Mendez Berry
- Ferentz Lafargue
- Giant Robot
- Hip-Hop Theater Festival
- Hua Hsu
- Humanity Critic
- Hyphen Magazine
- Jalylah Burrell
- Jay Smooth
- Joe Schloss
- Julianne Shepherd
- League of Young Voters
- Lyrics Born
- Mark Anthony Neal
- Nate Chinen
- Nelson George
- Okay Player
- Oliver Wang + Junichi Semitsu :: Poplicks
- Pop + Politics
- Presente
- Quannum
- Raquel Cepeda
- Raquel Rivera
- Rob Kenner
- Sasha Frere-Jones
- The Assimilated Negro
- Theme Magazine
- Toure
- Upper Playground
- Wayne Marshall
- Wiretap Magazine
- Wooster Collective
- Youth Speaks
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