Thursday, October 23rd, 2008
Voices of The New Majority :: A Southern Son Finding A New Life
Nov 27
Photo Courtesy B-Fresh Photography
You look up and this cat is smiling at you. He’s wearing a red shirt and his eyes are hidden behind shades, another rapper on the grind. He’s here now in Las Vegas, where gaudy wealth and brutal poverty exist side-by-side, and a million simulations of the American dream are on sale around the clock. He’s got a CD, and it’s called “My America.” He introduces himself. Some rappers name themselves after heroes, villains, cartoons. His name is a simple fact. Nov 27, his date of birth. It’s the only thing he’s sure of.
He was born James Price, in Little Rock, Arkansas, 28 years after nine African American students desegregated Central High School, 21 years after the Civil Rights Act was passed. When he was born, when Bill and Hillary Clinton were still in the State Capitol and Little Rock’s civil rights traumas were about to give way to gang-land traumas.
Nov 27 grew up all over town. “I didn’t really have a stable home from time to time year to year,” he says. His parents were still trying to live the party life. So he moved all over town to stay with grandparents, aunts, other relatives.
“When you’re not in a stable environment, you can’t adapt fully. You can never feel like you’re safe.”
He adds, “I was kinda homeless for a little bit, I had to deal with surviving on the streets when I was young. That made me learn how to survive through my mind. That’s where rap comes from—surviving from the mind.”
Some of his kin were Bloods, so he was too. Then, at 14—the year he began thinking of rapping seriously, the year he started hearing Cash Money and Busta Rhymes and Snoop and Dre in a whole new way—he found himself at a new school on the north side of town, the Black Disciples’ and Gangsta Disciples’ side of town. It was, he says, “the beginning of my troubles.”
Wearing a red cap sideways to school one day, he was surrounded by 30 cats in black or blue. They told him they didn’t like the way he was wearing his hat. He wouldn’t back down so he got beat down.
“That’s just some of the stuff teens go through out here on the streets,” he says.
“It’s like, you can’t surrender, you don’t want to be considered a punk because these cats want you to throw your rag down or abide by their rules cause it’s their side of town.”
After two years of banging, he says, “I came to the realization I got to do something better. I can’t indulge in this nonsense to where it could lead to the end of my life. There was times when I was like the only one representing for the gang that put me down. And I got these so-called homeboys? They weren’t down. So it was like, what’s the use? I got no backup.”
His family sent him to Austin, Texas to cool out for a couple of years. And he did. But when he returned to Little Rock, back this time to a Blood neighborhood, trouble still seemed determined to stalk him.
“I was at a security job at Pacific Railroad. Friday night. I was gonna go holla at my homeboy. Something was telling me just stay home. I guess that was my conscience. ‘Just stay home, just stay home.’ ‘Naw man, it’s Friday I’m trying to see what’s up with the night.'”
“I’m walking down the street. I see six cats over there approaching me like, ‘What up?’ I didn’t say nothing to ’em, I kept walking. They surrounded me. I’m thinking I’m gonna have to squab with them cause they around every angle. I’m trying to get ready, see who’s gonna make the first move. Then I hear clink-clink, paw-paw-paw-paw.”
Bullets pierced his stomach and his arm. As he lay on the ground he wondered, “What did I do to deserve this?”
His wounds weren’t fatal. But his emotions were a riot. “I went through my pain with that, my anger, my frustration. Listened to my conscience. I didn’t retaliate because that just would have been another dead person on the street.”
He shrugs.
“That’s pretty much what Little Rock go through, man.”
The violence didn’t end. A short time later, a group did a drive-by on his house. He was 20, had been shot 4 times in his own neighborhood. He knew he had reached the bottom.
“So I just went to sleep, and I woke up. That was a sign. Like, hey I’m still alive. After that, that was the turning point. I was like, ‘I ain’t finna be around here in this death trap.'”
He left for Austin for good. Got a job, rented an apartment, got back on his feet. Started rapping again, made contacts in the industry. He joined up with a group called Mafia Mob. He was searching for something.
Nov took a job as an elections clerk and was awed by the intensity of the Democratic primary caucuses. He started noticing how his neighborhood on the east side of Austin was becoming gentrified. He got interested in community events. He was going to one—a Department of Justice hearing on community policing—in the fall of 2007 to give a statement when trouble found him again.
As he was crossing the street, two whites stared him down and starting shouting at him. He stopped. They got out of the car. From behind his shades, Nov 27 told them, “I’m not trying to fight but I’ll defend myself.” They started scrapping.
When the police came, they took the two white men aside. They slammed Nov faced down on the asphalt. The men told the police Nov had thrown rocks at their car and challenged them to a fight. But when Nov tried to say that was a lie, they handcuffed him, pulled his shirt over his face, and took him to jail, charging him with disorderly conduct and resisting arrest.
But this time, the trouble ended up different. Nov landed an attorney, Kenavon “K.C.” Carter, who took the case. After watching the police video, the judge offered to dismiss the charges dropped if Nov would stay out of trouble for 6 months. That wasn’t going to be a problem this time. Carter took Nov to more community events, brought him to Las Vegas for the National Hip-Hop Political Convention.
So now this cat is standing in front of you. He’s told his story. Behind his shades, his mind is spinning. He is meeting people he never would have met before, he is seeing possibilities he never would have seen before.
“In my raps, I try to tell people we don’t have to blame nobody for our oppression because that leads to hating. That’s where rap plays a role, it can relieve tension and bring people together,” he says.
“Change can be a positive thing,” he adds. “Bullets went through me but they didn’t kill me, man. It’s like I’m resurrected, a new me now.”
Behind his shades, it seemed clear he was getting closer to what he was looking for. A tribe. A cause. Something to believe in, something that might last past tomorrow.
posted by Jeff Chang @ 2:23 pm | 0 Comments
Previous Posts
- Who We Be + N+1=Summer Reading For You
- “I Gotta Be Able To Counterattack” : Los Angeles Rap and The Riots
- Me in LARB + Who We Be Update
- In Defense Of Libraries
- The Latest On DJ Kool Herc
- Support DJ Kool Herc
- A History Of Hate: Political Violence In Arizona
- Culture Before Politics :: Why Progressives Need Cultural Strategy
- It’s Bigger Than Politics :: My Thoughts On The 2010 Elections
- New In The Reader: WHO WE BE PREVIEW + Uncle Jamm’s Army
Feed Me!
Revolutions
- DJ Nu-Mark :: Take Me With You
DJ Nu-Mark remixes the diaspora…party ensues! - El General + Various Artists :: Mish B3eed : Khalas Mixtape V. 1
The crew at Enough Gaddafi bring the most important mixtape of 2011–the street songs that launched the Tunisian & Egyptian Revolutions… - J. Period + Black Thought + John Legend :: Wake Up! Radio mixtape
Remixing the classic LP w/towering contributions from Rakim, Q-Tip + Mayda Del Valle - Lyrics Born :: As U Were
Bright production + winning rhymes in LB’s most accessible set ever - Model Minority :: The Model Minority Report
The SoCal Asian American rap scene that produced FM keeps surprising… - Mogwai :: Hardcore Won't Die But You Will
Dare we call it majestic? - Taura Love Presents :: Picki People Volume One
From LA via Paris with T-Love, the global post-Dilla generation goes for theirs…
Word
- Cormac McCarthy :: Blood Meridian
Read this now before Hollywood f*#ks it up. - Dave Tompkins :: How To Wreck A Nice Beach
Book of the decade, nuff said. - Joe Flood :: The Fires
The definitive account of why the Bronx burned - Mark Fischer :: Capitalist Realism
K-Punk’s philosophical manifesto reads like his blog, snappy and compelling. Just replace pop music with post-post-Marxism. Pair with Josh Clover’s 1989 for the full hundred. - Nell Irvin Painter :: The History of White People
Well worth a Glenn Beck rant…and everyone’s scholarly attention - Robin D.G. Kelley :: Thelonious Monk : The Life And Times Of An American Original
Monk as he was meant to be written - Tim Wise :: Colorblind
Wise’s call for a color-conscious agenda in an era of “post-racial” politics is timely - Victor Lavalle :: Big Machine
Victor Lavalle does it again!
Fiyahlinks
- ++ Total Chaos
The acclaimed anthology on the hip-hop arts movement - ARC
- Asian Law Caucus | Arc of 72
- AWOL Inc Savannah
- B+ | Coleman
- Boggs Center
- Center For Media Justice
- Center For Third World Organzing
- Chinese For Affirmative Action
- Color of Change
- ColorLines
- Dan Charnas
- Danyel Smith
- Dave Zirin
- Davey D
- Disgrasian
- DJ Shadow
- Elizabeth Mendez Berry
- Ferentz Lafargue
- Giant Robot
- Hip-Hop Theater Festival
- Hua Hsu
- Humanity Critic
- Hyphen Magazine
- Jalylah Burrell
- Jay Smooth
- Joe Schloss
- Julianne Shepherd
- League of Young Voters
- Lyrics Born
- Mark Anthony Neal
- Nate Chinen
- Nelson George
- Okay Player
- Oliver Wang + Junichi Semitsu :: Poplicks
- Pop + Politics
- Presente
- Quannum
- Raquel Cepeda
- Raquel Rivera
- Rob Kenner
- Sasha Frere-Jones
- The Assimilated Negro
- Theme Magazine
- Toure
- Upper Playground
- Wayne Marshall
- Wiretap Magazine
- Wooster Collective
- Youth Speaks
@zentronix
- No public Twitter messages.
Come follow me now...
Archives
- July 2014
- May 2012
- January 2012
- June 2011
- February 2011
- January 2011
- December 2010
- November 2010
- October 2010
- September 2010
- August 2010
- June 2010
- May 2010
- April 2010
- March 2010
- February 2010
- December 2009
- November 2009
- October 2009
- September 2009
- August 2009
- July 2009
- June 2009
- May 2009
- February 2009
- January 2009
- December 2008
- November 2008
- October 2008
- September 2008
- August 2008
- July 2008
- June 2008
- May 2008
- April 2008
- March 2008
- February 2008
- January 2008
- December 2007
- November 2007
- October 2007
- September 2007
- August 2007
- July 2007
- June 2007
- May 2007
- April 2007
- March 2007
- February 2007
- January 2007
- December 2006
- November 2006
- October 2006
- September 2006
- August 2006
- July 2006
- June 2006
- May 2006
- April 2006
- March 2006
- February 2006
- January 2006
- December 2005
- November 2005
- October 2005
- September 2005
- August 2005
- July 2005
- June 2005
- May 2005
- April 2005
- March 2005
- February 2005
- January 2005
- December 2004
- November 2004
- October 2004
- September 2004
- August 2004
- July 2004
- June 2004
- May 2004
- April 2004
- March 2004
- February 2004
- January 2004
- December 2003
- November 2003
- October 2003
- September 2003
- August 2003
- July 2003
- June 2003
- May 2003
- April 2003
- March 2003
- February 2003
- January 2003
- December 2002
- November 2002
- October 2002
- September 2002
- August 2002
- July 2002
- June 2002
We work with the Creative Commons license and exercise a "Some Rights Reserved" policy. Feel free to link, distribute, and share written material from cantstopwontstop.com for non-commercial uses.
Requests for commercial uses of any content here are welcome: come correct.