Wednesday, July 6th, 2005
LB Rocks The Bay, Joe Morgan vs. Moneyball, E-A-Ski: A Good Week For Bay Alt-Press
Really, a great week…
+ Lyrics Born graces the cover of the East Bay Express.
+ The San Francisco Weekly asks: Why is Joe Morgan such an A’s hater?
+ E-A-Ski, more New Bay, and the Brazilian post-punk in the Bay Guardian.
Of course, behind the scenes, it’s not all love, just shitty monopoly media politics. Clear Channel and the New Times, owner of the East Bay Express and the SF Weekly, have cut a deal to isolate the Bay Guardian. See the article below…
As the three covers this week illustrate, competition is good. If the editorial staff are being inspired to new heights, the suits at New Times or Clear Channel, clearly, don’t believe in good old competition.
The Bay Guardian has filed suit against New Times for predatory pricing, charging that SF Weekly and the East Bay Express are selling ads below coast in an effort to drive the Bay Guardian out of business.
‘SF Weekly’ cuts deal with Clear Channel
Two anticompetitive chains seek to dominate concert ads
By Tim Redmond and Kimberly ChunNew Times, which owns SF Weekly and East Bay Express, has cut a deal with Clear Channel, the giant entertainment conglomerate, that could shut other print media, including the Bay Guardian, out of hundreds of thousands of dollars in concert advertising, representatives of Bill Graham Presents, a Clear Channel subsidiary, told Bay Guardian ad sales staffers June 23.
Under the terms of the deal, New Times will pay Clear Channel a sum in the high six figures for naming rights to the Warfield Theatre, which for the next three years will become the SF Weekly Warfield, BGP representatives said.
In exchange, Clear Channel will spend so much money on advertising in the Weekly and Express that there will be little or no money left for competing print media.
In effect, one of the nation’s largest media oligopolies has joined forces with the nation’s largest alternative weekly chain to squeeze out an independently owned competitor.
“It’s bad,” Jeff Perlstein, executive director of Media Alliance, told us. “As all these dark tentacles become entwined, it gets more and more serious as a threat to independent media.”
Nobody at New Times, SF Weekly, or Clear Channel would return our calls seeking comment. But a press release sent out June 27 from SF Weekly and BGP described the naming-rights deal and stated that SF Weekly and BGP “will collaborate across business fronts.”
The press release never mentions New Times or Clear Channel and presents the deal as if it were just a friendly agreement between local companies.
The BGP staffers who informed the Bay Guardian’s entertainment account manager, Adam Shandobil, and marketing manager, Warren Spicer, of the deal said it was effective immediately. And in fact, BGP has pulled all of its ads from the Bay Guardian this week.
BGP presents concerts and events at the Fillmore, Shoreline Amphitheatre, Chronicle Pavilion, Punch Line, and Mountain Winery in the Bay Area, and at Sleep Train Amphitheatre in Marysville, among other venues, and ads from all of these are affected by the deal.
Media observers we contacted said they’d never heard of a similar deal – but the arrangement comes as little surprise. Clear Channel, which owns 7 local radio stations and more than 1,200 nationwide, is known around the country for its savage, anticompetitive policies and its attempts to establish hegemony in entertainment markets (see “Clear and Present Danger,” 4/24/2002). New Times, which owns 11 alt-weeklies, has become an icon of cutthroat, anticompetitive behavior in the alternative press (see “The Predatory Chain,” 6/27/2002).
In the 1990s Clear Channel developed an aggressive strategy of buying up not only local radio stations but billboard companies and concert and sports promoters. The idea, as the Wall Street Journal reported June 24, was that “Clear Channel figured its radio stations and billboards could shill upcoming concerts, and performers would gravitate to its venues for the extra marketing. The radio stations would push concert offerings in each market.”
But it hasn’t worked out that well. “Instead,” the Journal noted, “the combination irked music fans, record labels, and artists, who complained that Clear Channel used its might to punish artists who didn’t play by its rules and contributed to the sharp rise in ticket prices at venues it controls.”
That’s why Clear Channel recently announced plans to spin off its concert business as a new subsidiary.
The media company has also been accused of censorship. The day after the Sept. 11 attacks, Clear Channel issued a list of songs that its stations were advised not to play, including John Lennon’s “Imagine” and anything by Rage Against the Machine. Shortly after Clear Channel bought Bay Area radio station KMEL, the station fired producer David “Davey D” Cook, who had dared to air a show about Rep. Barbara Lee’s objections to the invasion of Afghanistan. The corporation has close links to the Bush administration, and in 2003 Clear Channel stations sponsored rallies supporting the administration’s war in Iraq.
These are the people SF Weekly is getting into bed with.
New Times and Clear Channel have at least one thing in common: They hate competition. In October 2002 New Times cut a deal with Village Voice Media in which the two chains agreed to end competition in Los Angeles and Cleveland by shutting down a pair of alternative papers. New Times closed its LA paper and secured the Cleveland market for itself; VVM reciprocated by shutting down its Cleveland operation. The US Justice Department declared the deal illegal (see “New Times Nailed,” 1/21/03).
Sherry Wasserman, a senior official at Another Planet, a BGP competitor, said the deal sounded highly unusual. “Look at the Chronicle Pavilion, which still advertises in the Contra Costa Times and every other place,” she said.
Guy Carson, owner of Café du Nord, said the arrangement might have a negative affect on the local music scene. “Obviously this has big implications,” he told us. “To the extent that it hurts the Bay Guardian and [the] Chronicle, it’s going to hurt the local scene.
“Maybe,” he added, “SF is not immune to general homogenization.”
posted by Jeff Chang @ 3:30 pm | 0 Comments
Previous Posts
- Who We Be + N+1=Summer Reading For You
- “I Gotta Be Able To Counterattack” : Los Angeles Rap and The Riots
- Me in LARB + Who We Be Update
- In Defense Of Libraries
- The Latest On DJ Kool Herc
- Support DJ Kool Herc
- A History Of Hate: Political Violence In Arizona
- Culture Before Politics :: Why Progressives Need Cultural Strategy
- It’s Bigger Than Politics :: My Thoughts On The 2010 Elections
- New In The Reader: WHO WE BE PREVIEW + Uncle Jamm’s Army
Feed Me!
Revolutions
- DJ Nu-Mark :: Take Me With You
DJ Nu-Mark remixes the diaspora…party ensues! - El General + Various Artists :: Mish B3eed : Khalas Mixtape V. 1
The crew at Enough Gaddafi bring the most important mixtape of 2011–the street songs that launched the Tunisian & Egyptian Revolutions… - J. Period + Black Thought + John Legend :: Wake Up! Radio mixtape
Remixing the classic LP w/towering contributions from Rakim, Q-Tip + Mayda Del Valle - Lyrics Born :: As U Were
Bright production + winning rhymes in LB’s most accessible set ever - Model Minority :: The Model Minority Report
The SoCal Asian American rap scene that produced FM keeps surprising… - Mogwai :: Hardcore Won't Die But You Will
Dare we call it majestic? - Taura Love Presents :: Picki People Volume One
From LA via Paris with T-Love, the global post-Dilla generation goes for theirs…
Word
- Cormac McCarthy :: Blood Meridian
Read this now before Hollywood f*#ks it up. - Dave Tompkins :: How To Wreck A Nice Beach
Book of the decade, nuff said. - Joe Flood :: The Fires
The definitive account of why the Bronx burned - Mark Fischer :: Capitalist Realism
K-Punk’s philosophical manifesto reads like his blog, snappy and compelling. Just replace pop music with post-post-Marxism. Pair with Josh Clover’s 1989 for the full hundred. - Nell Irvin Painter :: The History of White People
Well worth a Glenn Beck rant…and everyone’s scholarly attention - Robin D.G. Kelley :: Thelonious Monk : The Life And Times Of An American Original
Monk as he was meant to be written - Tim Wise :: Colorblind
Wise’s call for a color-conscious agenda in an era of “post-racial” politics is timely - Victor Lavalle :: Big Machine
Victor Lavalle does it again!
Fiyahlinks
- ++ Total Chaos
The acclaimed anthology on the hip-hop arts movement - ARC
- Asian Law Caucus | Arc of 72
- AWOL Inc Savannah
- B+ | Coleman
- Boggs Center
- Center For Media Justice
- Center For Third World Organzing
- Chinese For Affirmative Action
- Color of Change
- ColorLines
- Dan Charnas
- Danyel Smith
- Dave Zirin
- Davey D
- Disgrasian
- DJ Shadow
- Elizabeth Mendez Berry
- Ferentz Lafargue
- Giant Robot
- Hip-Hop Theater Festival
- Hua Hsu
- Humanity Critic
- Hyphen Magazine
- Jalylah Burrell
- Jay Smooth
- Joe Schloss
- Julianne Shepherd
- League of Young Voters
- Lyrics Born
- Mark Anthony Neal
- Nate Chinen
- Nelson George
- Okay Player
- Oliver Wang + Junichi Semitsu :: Poplicks
- Pop + Politics
- Presente
- Quannum
- Raquel Cepeda
- Raquel Rivera
- Rob Kenner
- Sasha Frere-Jones
- The Assimilated Negro
- Theme Magazine
- Toure
- Upper Playground
- Wayne Marshall
- Wiretap Magazine
- Wooster Collective
- Youth Speaks
@zentronix
- No public Twitter messages.
Come follow me now...
Archives
- July 2014
- May 2012
- January 2012
- June 2011
- February 2011
- January 2011
- December 2010
- November 2010
- October 2010
- September 2010
- August 2010
- June 2010
- May 2010
- April 2010
- March 2010
- February 2010
- December 2009
- November 2009
- October 2009
- September 2009
- August 2009
- July 2009
- June 2009
- May 2009
- February 2009
- January 2009
- December 2008
- November 2008
- October 2008
- September 2008
- August 2008
- July 2008
- June 2008
- May 2008
- April 2008
- March 2008
- February 2008
- January 2008
- December 2007
- November 2007
- October 2007
- September 2007
- August 2007
- July 2007
- June 2007
- May 2007
- April 2007
- March 2007
- February 2007
- January 2007
- December 2006
- November 2006
- October 2006
- September 2006
- August 2006
- July 2006
- June 2006
- May 2006
- April 2006
- March 2006
- February 2006
- January 2006
- December 2005
- November 2005
- October 2005
- September 2005
- August 2005
- July 2005
- June 2005
- May 2005
- April 2005
- March 2005
- February 2005
- January 2005
- December 2004
- November 2004
- October 2004
- September 2004
- August 2004
- July 2004
- June 2004
- May 2004
- April 2004
- March 2004
- February 2004
- January 2004
- December 2003
- November 2003
- October 2003
- September 2003
- August 2003
- July 2003
- June 2003
- May 2003
- April 2003
- March 2003
- February 2003
- January 2003
- December 2002
- November 2002
- October 2002
- September 2002
- August 2002
- July 2002
- June 2002
We work with the Creative Commons license and exercise a "Some Rights Reserved" policy. Feel free to link, distribute, and share written material from cantstopwontstop.com for non-commercial uses.
Requests for commercial uses of any content here are welcome: come correct.